SUBMISSIONS

Submissions are accepted on a regular basis, year-round.
Can include, short stories, essays, poetry and prose.
Must not exceed 3,000 words.
Must be written by a current ESA student, or alumni.
Submissions are accepted: e.s.say.says@gmail.com

Thursday 17 November 2016

The Wise Oak
By: Anonymous

Rain Drops pool
Beneath
The wizened Oak Tree.
The grass is not thirsty here

It remains
Unperturbed
By the  l
             u
                r
                  e
                      of the daffodils.





The Zoo
Story by: Rafe Taylor

I’m frozen, stuck in place. I can only faintly hear the sounds of the crowd around me, and my four year-old daughter Jules tugging at my sleeve, urging me to move forward. I feel as though I am a ghost, standing outside of my own body, watching a scene unfold around me. A spectator to the play, at times a tragedy, at times a comedy, that is my life. I feel a great weight on my chest, as though I know that something bad is about to happen. I can sense it. Something is going to happen, of that much I’m sure. But what?
I am uprooted from my trance by my wife, Carla. She put a hand on my shoulder, as a person might do to a close relative, who is dying or has alzheimer's, while lying on a hospital bed or in a nursing home.
“Ray, are you alright?” Her voice carries a note of concern, but she seems more curious as to why I’ve stopped. I blink, and slowly look around. I’m groggy, as though I’ve just woken up from a deep sleep. One with a lot of dreams.
“Huh, oh, yeah. I’m good,” I mumbled, just loud enough to hear. But even as I say it, I’m not entirely convinced. I try to shake off the feeling, whatever feeling that is. It’s early, I think. Yes, I was up early. The interstate was packed. So far there have been a lot of reasons to fall asleep standing up, which I guess is what I just did.
“That’s what happens when you sing about baby animals all the way to the zoo,” my wife says to my daughter.  “Now daddy has a headache.”
Jules puts on her sad face, drooping lips and big eyes. “I’m sorry, daddy,” she says earnestly, and hugs my leg. I give her a little pat on the head and reassure her that it’s okay, and that I’m fine. That I pick her up, giggling, and put her on my shoulder. As I carry her to the zoo gate,I’m reminded why I had children. I’d been moaning about it for the first few months, when the nights were sleepless thanks to constant tears.
“Why did we have a kid?” I’d moan to Carla as we rolled out of bed to solve whatever problem Jules had now, “I know it made sense at the time.”
We reach the zoo gate without me blacking out again. A pimple-faced teenager, about sixteen, leans forward and smiles at us with way more enthusiasm that is expected or necessary for the situation; that situation being the purchasing of day passes for the zoo. Two adult, one child. A total of $56, twenty-three bucks per adult, and ten more for Jules. A steal, if you ask me. We walk past the gift shop, which is conveniently situated right in front of the entrance, which is also the exit. So once your kids are hopped up and sugar from some ice cream cart or cotton candy stand, and after they’ve chosen they’re favorite animal and said about a million things that you already knew about it, there sits the gift shop, with a stuffie for every single zoo creature.. And every kid just has to go in after all that. I try to ignore it, and promise myself, stupidly, that we won’t go in a buy something like we did the last three times.
Then, we pass the sign. “Chicago Lincoln Park Zoo”. It’s the last word that catches my eye. I’m a newspaper editor. I tend to see certain words differently than other people. Words that are interesting, words that are out of place. That kind of stuff. Anyhow, the word “zoo” grabs my attention. The meaning pops into my head from a corner of my mind.
Zoo,n. An establishment that maintains a collection of wild animals, typically in a park or gardens, for study, conservation, or display to the public; a situation characterized by confusion and disorder.
The second half of the description is what sticks in my head. Confusion and disorder. Those two words sound so familiar to me, like friends that I often go out for drinks with. I seem to see a lot of those two these days.
I am forced to relive a bit of my childhood in many places. My childhood home, where my mother still lives, twenty years after I moved out, is one example. Another would be the Vietnam war monument (which my father pointed out all the time because he fought in Vietnam), which I passed everyday on my way to elementary school. But today, my youth is at the forefront of my memory for a different reason. When we go to the “Carnivore’s Cove”, I notice the polar bear enclosure. There is a new cub on display, and Jules can’t wait to see it. I remember when I was eight, my father, Charlie, and I would drive to the zoo every other weekend, just so I could see the cub they had then. The cub had a large plaque in the middle of it’s pen, which bore its name, Snowball. The cub would always trying to pick fights with the plaque. It would stand up on a rock and dive down at the oversized nametag. But, because the plaque was slanted, the cub would slide right off. It always seemed hilarious.
I was thinking about my father when I heard the kids. They were only about eleven. Both were short for their age. One had a backwards Cubs hat on, and the other bore large, purple sunglasses. They were standing outside the tiger enclosure, throwing stuff in. When I looked closer, I saw that they were drawing stones out of a blue knapsack and hurling them at the tiger. They were hooting with laughter. But the tiger was in no laughing mood. It roared, stood up and it’s haunches, then charged. It cleared the pit around its enclosure, but not the concrete partition between the pit and the people. The beast crawled out of the pit to meet another volley of stones from the boys. It roared and flashed its teeth, then sulked back to the far side of it’s enclosure, where the rocks couldn’t reach it. At this point, a zoo guard noticed the commotion. As soon as he did, I got the same awful feeling. Like my brain was giving off a bad omen. The guard approached the kids. Whistle in hand. The next time they threw a rock, he blew. As he did, the tiger began moving. The feeling grew. I felt my wife’s had on my shoulder.
“Ray?”
The guard grew closer, shouting for the kids to stop. The tiger picked up speed, it’s legs bending, it’s jaw snapping. The guard grabbed one of the kids by his shirt sleeve. The feeling hit it’s all time high, like Spiderman’s spider-sense. My ears were ringing.
“Ray?”
The tiger jumped, claws angled forward, mouth open. The guard lept back. The kids too. But they were too close. In a single sweeping motion of a claw, they were all knocked down, bleeding badly. The heaving jaws closed, with the guards shoulder inside. The scream is what broke my trance. The whole crowd of people whipped around turning their attention from the cute, cuddly bear cub to a vicious, bloody mauling.  The tiger, it’s tormentors, the children, dispatched, charged the crowd. That was the last time I saw my wife’s face.
The crowd surged forward like a wave, trying to get out of the tiger’s way. I scooped up Jules, who was looking all around, trying to find out what was happening. As the crowd pushed away from the bear cub, Carla was caught by pushing people and swept away. Then the tiger leapt again, landing in the center of the crowd. I heard the screams, but didn’t look back. Then I spotted the mangled zoo guard’s gun. A Glock, I think. Maybe a Walther like my cousin has. I moved towards the gun. Nothing like a little protection. But maybe it was my fear, or maybe the pushing crowd, but whatever it was, I tripped. I dropped Jules. I thought that she’d follow me out of the crowd towards the guard, but she didn’t. Still, I ran forward, unhooking the gun from it’s holster. Then I wheeled around. Jules was out of the crowd, but standing a good ten yards away from me. Then, the tiger emerged from a mess of bodies. Caught in it’s bloodstained teeth was a large lock of my wife’s auburn hair. I heard Jules scream.
The tiger turned on her taking a few steps forward. I reacted, screaming a bit myself. The tiger became distracted by me. I began to circle, trying to decide which one of us to maul; me or my daughter. Jules or Ray. As it looked at me, I raised the gun. I felt the monster’s eyes burn down on me. They seemed to say “Well, Ray, what’s it gonna’ be.” That’s something my father would say whenever I had a decision to make. The animal looked back and forth, back and forth. Then it stopped. It had chosen it’s prey. And then it rushed towards me.
I squeezed the trigger of the gun in my hands. The force pushed my aim off a touch, but the real reason I missed was because I so nervous. My hands shook, and my shot whizzed into the concrete behind the animal. I was the same with my next two shots. I was filling with adrenaline, and started firing shot after shot, just hoping to hit something. I felt like the polar bear cub I saw as a kid, attacking the plaque in the center of its pen. I’d come close every time, but could never quite grasp my target. Then, I saw the tiger leap. Thought it was still a few yards away, the jump’s power closed the gap fast. And then… The feeling struck me. All of time began to slow, nearly grinding to a standstill. I could see every hair on the tiger’s arching back, its colours rippling and it heaved its own great weight threw the air. I saw the beast’s eyes, wide and full of rage. And I saw the mouth, gaping open. And that’s where I, moving in slow motion, placed my final, miraculous shot.
The power of a bullet is astounding. They can smash glass, crush concrete, rip up wood. Bullets can tear apart most anything. And in this case, my bullet had no trouble soaring through the tiger’s teeth, past the roof of its mouth, and clean into the beast’s brain. There was no roar of anguish, no scream of pain. Only silence. As the tiger’s limp body soared towards me, I ducked, rolled and tried to avoid the crushing weight of a full grown animal in power jump mode. My leg was caught, and I felt a surge of pain rush through me. I heard the crack just before I blacked out
When I woke up, I was in Northwestern Hospital. Jules was sitting nearby my bed, sound asleep. A doctor was looking at me from the foot of the bed.
“Oh, good, you’re awake,” he said. He smiled, as if he had no idea how I’d come into his care.
“W-What happened. Where’s the tiger, where’s my wife?” Of course, I knew the answer. The tiger was probably in the ground, or in an urn. And my wife, or part of her, was inside him. The rest was probably unrecognisable, and as such put in an unmarked grave regulated by the city. I felt hot tears in my eyes.
“I’m sorry about your wife, sir. If it’s any condolence, you’re a hero to the city. You saved a lot of lives.” Then, the doctor walked out of the room. I turned to look at my sleeping daughter. Things would be hard from now on. I couldn’t handle her quite like Carla. But even though I hadn’t saved my wife, I had kept Jules alive. So yeah, maybe I am a bit of a hero.

“Chaos is a friend of mine.”
-Bob Dylan


Tuesday 15 November 2016

NaNoWriMo comtinues...

Today’s writing prompt:

The doorbell rings. You check the alarm clock and notice it’s way too early for someone to be visiting. You crawl out of the warm bed and scuffle across the house to the front door. You crack it open and no one is there. Upon opening the door, you notice an unmarked package on the step. A strange scratching sound is coming from inside, so you decide to lift the lid and investigate. What do you find in the box, and who left this for you?


Learn more about – or sign up to participate in – NaNoWriMo here.

Remember to post your writing at the ESsays Creative Writing Blog.
  • Submissions accepted via e-mail to: e.s.say.says@gmail.com.

Friday 11 November 2016

NaNoWriMo continues...

Today’s writing prompt:

Imagine you could stand on a rooftop and broadcast a message to everyone below – what would you say?


Learn more about – or sign up to participate in – NaNoWriMo here.

Remember to post your writing at the ESsays Creative Writing Blog.
  • Submissions accepted via e-mail to: e.s.say.says@gmail.com.

Tuesday 8 November 2016

Monday 7 November 2016

NaNoWriMo continues...

Today’s writing prompt:

It sounded like violin music, and it was coming from the basement...

Learn more about – or sign up to participate in – NaNoWriMo here.

Remember to post your writing at the ESsays Creative Writing Blog.
  • Submissions accepted via e-mail to: e.s.say.says@gmail.com.

Friday 4 November 2016

NaNoWriMo continues...

Today's writing prompt:

You adopted a dog from a random stranger. You brought it home, showed it to your parents, and asked them if you could keep it, but they only responded with, “Where is it?

Learn more about - or sign up to participate in - NaNoWriMo here.

Remember to post your writing to this blog.  
  • Submissions accepted via e-mail to: e.s.say.says@gmail.com.

Wednesday 2 November 2016

NaNoWriMo comtinues...

Today’s writing prompt:



Learn more about – or sign up to participate in – NaNoWriMo here.

Remember to post your writing here at the ESsays Creative Writing Blog.

Submissions accepted via e-mail to: e.s.say.says@gmail.com.

NaNoWriMo continues...

Today's writing prompt:

Write from the viewpoint of a cactus – what’s it like to live in the desert or have a “prickly personality”?

Learn more about - or sign up to participate in - NaNoWriMo here.

Remember to post your writing to this blog.  Submission accepted via e-mail to: e.s.say.says@gmail.com.

Monday 31 October 2016

NaNoWriMo

November is Na(tional)No(vel)Wri(ting)Mo(nth)… NaNoWriMo.

Not ready to write an entire novel yet?  No worry…  Each school day throughout November we will be posting a writing prompt on both the ESA Library Daily Blog, and the ESsays Creative Writing Blog (they will be the same prompt).  Access the prompt from either blog, and get writing.

The writing prompt for November 1st is:

We all stare at our phones, laptops and televisions more than we probably should. But what happens when the screens have made us go blind? Describe a morning where you’ve lost your sight and are forced to find your way to school without your eyesight. Don’t forget: everyone else is blind, too!

Submit any of your written work to the ESsays Creative Writing Blog via e-mail to: e.s.say.says@gmail.com

Friday 21 October 2016

ESA ComiCon: All About Telling Stories



Hello. Here's to hoping that you will all be able to join us for our (first) ComiCon event: 

  • Wednesday, October 26th
  • 3:30pm to 8:30pm
  • ESA Library and Mini-Theatre
If you are planning to attend ComiCon, please do pre-register. 
  • We need to have a pretty good idea of our numbers ahead of time so we can plan appropriately. 
  • You can access the form here: https://goo.gl/forms/y3RUyqDrdSk7MBkg1
  • Or use the QR code posted below.
Please do invite your friends.  Bring one or two along with you to ComiCon.  They do not need to be ESA students.

This event is free to all, and a light pizza dinner will be provided.

Cheers

Ms. Wray



Participating authors:

Willow Dawson
  • Multiple award winning author of titles including The Wolf-Birds and Hyena in Petticoats.  
  • Willow will lead a workshop in which she discusses the challenges and joys of writing biography, autobiography and memoir graphic novels. 
  • This presentation includes personal stories and anecdotes, including how she found her voice and became an author and illustrator.
Brian McLachlan
  • Multiple award winning author of Draw Out The Story: Ten Secrets To Creating Your Own Comics.  
  • Brian's workshop will begin with a quick intro to how comics are a combination of showing + telling, and then delve more deeply into character design.
  • There will be lots of audience interaction in this workshop.
Kean Soo
  • Author and illustrator of Jellaby and March Grand Prix.  
  • Kean will be leading a workshop about the process of making comics, with a focus on storytelling techniques.  
  • There's will be lots of audience interaction in this workshop.
Tory Woolcott
  • Author of the graphic novel memoir Mirror Mind, which recounts her experiences growing up with dyslexia.  
  • Tory will conduct a writing workshop that builds a story (that can be used for comics, prose, video games, film, etc.) from the ground up, creating a protagonist and antagonist and a 5-act structure.


Sunday 25 September 2016

What's Your Story: Etobicoke


Arts Etobicoke is thrilled to partner with The Ontario Book Publishers Organization (OBPO) on their new 3- year initiative with the Toronto Arts CouncilWhat’s Your Story?, a series of literary events taking place in the inner suburbs of Toronto: Etobicoke, North York, East York, and Scarborough.

A writing contest earlier this summer selected four writers from each neighbourhood – three established and one emerging, unpublished writer – who the OBPO commissioned to write a short piece about their neighbourhood. Join us on September 29 to hear the Etobicoke writers give a public reading of their pieces.

What’s Your Story Etobicoke? is an exciting evening hosted by award-winning novelist, critic and Director of The Humber School for Writers, Antanas Sileika.
  • The evening starts at 6:00pm with a workshop “Getting it Right” led by Antanas.
  • After a short break there will be a second workshop “How to Read a Poem” led by Iranian Canadian poet Bardia Sinaee.
  • The evening will be rounded out by the readings of our Etobicoke contest winners: Farzana Doctor (who is coming to ESA in October), Catherine Graham, Maria Coletta McLean, and Transient. Read below for a detailed schedule of events.
The ESA Library has two (2) pairs of tickets to give away to attend this event.  Fill out this Google Form if you'd like to claim a pair of these tickets.  Priority will be given to ESA students, but all are welcome to put in a request.

Reminder that the ESA Library also has tickets available for the Toronto Book Awards bash at the Toronto Reference Library on October 11th.  Put in a request for a pair of those tickets here.

Sunday 11 September 2016

It is with great pleasure and delight that I announce the appointment of Will Graham and Elyse Robinson as our new student editors and creative directors for the 2016-17 school year.

Looking forward to a great year of student writing...  culminating in the publication of ESA Letters Vol III in the spring of 2017.

Pick up your pens and start writing...

Cheers

Ms. Wray

Thursday 9 June 2016

La Cigarette by Sauvanne Margaux


I like the smell of cigarettes and autumn leaves in my hair. There is something terribly romantic about it. It reminds me of spices and rebel urges. I hate smoking but I love the smell of cigarettes embedded in my pores, threaded into my coat and mixed up in my hair. So I do it as a treat. A drag here and a drag there. Never enough to make me cough, just enough to make me feel a tad dizzy and get a mildly itchy throat. I once vowed I would never do it. Smoking seemed so out of line for me. I was the girl who dabbled in drugs, drank when she felt like it but NEVER smoked a cig… until I did. I didn’t choke and weaze the first time like most do. I just inhaled and exhaled in one smooth movement. ‘Godammit, why am I good at this?’’ I thought. ‘‘This is the last thing I need to be good at. I’d be better off being good at writing tests or answering trivia or saying the alphabet backwards. But smokin cigs? This is not what I want to be good at.’’ It was a confidence booster I did not need. This is what started my flirtatious relationships with cigarettes. Even the word is sexy. It’s french. Saying it slowly, letting it roll off your tongue is almost as seductive as the exhale you release when you have one in between your keen little fingers. La cigarette. I don’t crave one until it is in front of me. And even then not often. But when the desire overwhelms me I cannot ignore it. A cigarette is my secret lover. I know I should not be seeing her but every so often I simply cannot hold myself back. She is a terrible seductress, ask anyone who’s placed their lips to hers. She is acrid and addictive. A deadly combination, but a seductive one nonetheless. I always tell myself that I won’t ever have another but I have stopped caring. It is an indulgence I allow myself after a long week of school, or just a bloody bad day. What doesn’t kill you makes you…calmer? I don’t actually know if cigarettes make me calmer. But they make me forget. They make me lose perspective which I find I have too much of most of the time. Damn…I’d like a cigarette.

Spacecraft by Simon Van Heyst


The neighbour's lights are still on when I zip up the tent. Linda Robertson on channel four lied, it's raining. I wonder how many people she disappoints every day. A window is open, I can hear people talking. I wonder if they can see the tent over the fence. I feel like I'm in my space pod from a distant galaxy. I'm an alien that has landed on a strange planet. There is the sound of distant thunder: I get goosebumps, why? I think my body envisions that I'm in the climatic fight scene of an action movie: Linda is winning throughout but I ultimately triumph. I hear people having sex, probably the ones that were talking before. Music is still playing from the big house on the corner. The pretty boys and girls dress up and frame their bright faces with make up and alcohol. People look louder at night. He comes. What would my alien parents look like? Do they speak english? Do I subconsciously know an intergalactic dialect? A dog is barking. There are sirens in the distance. Dogs probably know the language too. The smell of weed: probably from the lips of the pretty boys and girls. A door opens, the same two. "Let's go somewhere but not with me, introduce me to your insides please." My space pod is not water proof. How will I ever make it back home. I have the undeniable urge to leave and never come back. 

Untitled by Rachel C Campbell

Three of us got off the bus at one stop. The announcer was broken so the driver had to yell out the names of the stops, but he couldn’t pronounce them very well. Kept tripping over the consonants surrounding the vowels, kept forgetting if it was a ‘Street’ or a ‘Road’, ‘Lane’ or otherwise. 
“Alright, Hibben Str-Road.” He sighs, “Sorry, folks. Hibben Boulevard.”
The man got off first. Shiny black hair caught the light, the wind entering the bus didn’t even ruffle the slicked back strands. I was about to leave the top seats but the other woman got in my way. She rushed towards the door, slapping her pockets, and turning back for a chrome device left on the seat. As she returns to her seat, I slip in front of her and she hardly notices, oblivious to my movements, caught in her own waves. Three of us got off the bus at one stop, leaving four or more people with the bus driver with halting speech. 
We turn left at the corner, not having to wait for the light. After crossing the empty road, we turn left, passing the bars full of old men with nothing better to do than chain-smoke and drink on a Thursday night. They litter the street with white flecks of butts, and I think of the small animals who will be tricked into eating them. The salon lights are out, but the photos of tight curls and styles that wouldn’t survive past the front door illuminate the windows well enough. Passing the entrance to the cemetery, and the tall mausoleum, black gates and railing line the pavement, behind it shadowed gravestones line the grass. The final building is an optician’s store. It opened up about a week ago, the white space is filled with empty glass cabinets, with no eye glasses. At this, the man turns left. So do I, I’m surprised. I’ve never seen him before, but I’m normally home at this point in the evening. The click of the woman’s heels behind me don’t fade as I had expected them to, but follow me down the road. 
The moon is above us in the sky but always appears slightly ahead, the mix of houses on the street seem more pushed back than they were before, shaded more darkly by the trees than usual. Looking once more at the moon, I notice that the telephone wires are higher than normal. Or I am lower than normal. Feeling my heart in my shrinking body, I get the funny image that the three of us; the man, the woman and I, are little ducklings. Following our mother moon home. The man’s black hair turns yellow under a streetlight, his face’s shadow is intercepted by a branch and I see him as a fluffy yellow brother. The woman trips. She doesn’t fall, but the noise shocks me. Looking up again, I see the man, hair black as before. You could have been my brother, I want to tell him. His lighter flicks, head bowed, smoke exhaled, I could have loved you. Behind me, my could-be sister’s steps are quick. She is worried, her nervous walk following me, but keeping the same pace and distance all the while. What would help you? I want to ask her, If I knew you, if you trusted me, what could I do? Would she need a cup of tea, a nice talk, a good night out? Does she keep a journal, or have a best friend on speed dial, does she need anyone? My bag is heavy on my back, pushing me down and forward, to talk to the man and ask why his hair is so thickly covered in gel, ask what kind of person he is and would like to be. My thoughts overbalance and my mind topples back to the woman and how she could let me help her, how I could slow her pace and make her relax. 
I become frustrated. Awkward. We all know the other exists. We know that we each have a reason to be walking up this long road, had a reason we were on that particular bus, knew that we passed drunk old men, obnoxious posters of hair, a shadowy cemetery and an optician’s with no glasses but too many glass cases. I wanted so badly to talk to them, yell at them. We were breathing the same air, passed down our silent line, we knew each other existed and we did nothing. Ready to shake them, I looked up at the power lines flying higher, the moon edging away from us, ashamedly hiding behind a cloud from her quiet children. Feeling smaller and smaller, blood vessels shrinking, thoughts growing quieter, fingers tingling, toes buzzing. 


I cross the road. 

'Til Death Do Us Part by Spencer Cetinic

My father used to tell me that “fortune favors the bold.” What a load of bullshit. A more appropriate pearl of wisdom might’ve been; "The bold are always the first to die." But seeing as my father never once pried that particular pearl out of its shell, there I was on a sunny August morning, biking with my girlfriend down Maple Street with a little black box in my pocket, trying to be bold. 

My family had set up a banner back at my place that read, 'Will you marry me, Marie?' and I was trying to get myself into the right mind frame to ask the question. I was ostensibly attempting to play it cool while my fearful cynicism battled it out with the man I wanted to be over whether or not that little black box was going to see the light of day.

Marie was quiet for most of the ride; perhaps she sensed my inner turmoil. She had a knack for knowing when I was about to do something bold, and I figured that she knew what I was about to do.

We made some small talk, biking side by side, and then stopped for lunch. I keep thinking that if we hadn't stopped, none of these events would have transpired, but that just leads to a string of 'what if?' loaded questions that eat away at you until there's nothing left but a poor excuse for a life. 

I had a hot turkey sandwich while Marie had fries and a chocolate milkshake. I vividly remember that we had shared a laugh over lunch, something at the expense of the manager. That was quite possibly the last laugh we had shared before it happened, and would remain the last laugh we would share for the rest of our lives. What if we had ordered to go? What if I had released the little black box from its prison without the weak pretext of a lunch and bike ride? Would I be married, and live happily forever after?

But then again, those are just more of those ‘what if’ questions.

As we had approached my house, I felt the realization of what I was going to have to do, and my hands had begun to sweat profusely. I realized a second too late that my chain had stuck, and I leaned over my bike and looked down at it. My bike locked and as I leaned to my side, my sweaty hands began to wobble on the now spongy handlebars and before I could regain my balance I wiped out, falling left, towards the road. I looked up at Marie as I fell, noticing her, the trees, the houses, and that beautiful blue August sky all at once swirling into a staccato myriad of images superimposed into my eyes on my interminable decent toward the gravel below me. Incredibly, I wasn’t too badly hurt. Not then. Marie got off her bike, and ran into the middle of the road, helping me to my feet, hysteria bubbling. The hysteria was hers, not mine. I was in a state of calm detachment with a little surrealism thrown in for good measure and I wanted to stay there.
 We had been halfway around one of the sharper turns of the ride and I heard a rumble on the other side, and then a moment later we saw that it was a blue Buick, and it flew around the bend at 80 kilometers per hour. 
We had had about five seconds to get out of the way. My heart had quickened; everything had been in slow-motion. Those five seconds seemed like an eternity. 
The car made impact at 65 kilometers per hour.

"We're going to pull the plug." A voice said but I barely heard it. I tried to scream but couldn't. I felt like thrashing, of trying to leave. Instead I remain motionless, without even the strength to cry. "Say your goodbyes," said the watery voice.
I concentrated on the feeling of Marie's hand faintly on top of mine; everything else was meaningless. Memories flooded into my mind of better times; we had never considered mortality. In a way, I suppose, we would live on in the memories of each other and all the people we had met. Marie's hand was slipping away. It was time, but I wasn't ready.

This all seems to reminded me of a story I was once taught in Sunday school. Two farmers die on the same day. The first farmer had always had good crop seasons, and when he needed rain, he did nothing but pray, and he always got water. The second farmer though, he always had bad crop seasons, and he had devised systems to get himself water, like tapping into the rivers and making wells, but they never worked. The second farmer refused to move away from his lands. As they come into heaven, the two farmers talk to each other, walking to the gates. The second farmer becomes outraged at how easily the first had been able to live his life. Now, you see, the first farmer just strolls past god into heaven, nodding dumbly at him. But the second one, he turns and says;
"Why'd you make me work for the water and not him?" 
And then God turns to him and says,
"Because you tried to beat nature."

It's funny how sometimes those who don't try are given everything and those who do are given nothing. Some would call the events that unfold in a certain person’s life fate: something unavoidable, unbeatable, and everlasting. They would tell you that no matter what I had done, nature would have run its course and the same outcome would have ultimately occurred. 
The car drove at us at 80 kilometers per hour, and Marie was ready for it. I had had five seconds, to do anything to get out of the car's way. 
I froze.
Don't ask me why; if I had to speculate I'd say I was paralyzed by fear. Maybe I thought there was no way to escape. Marie did, however, tugging at my shirt, pleading me to move. I looked over and saw her screaming, struggling face. I remember the repeated tugging clearly; remembered that she had been trying to pull me off the road and onto the grass, past the sidewalk. I remember focusing on the car, watching as the driver careened quickly towards us, totally oblivious to our situation. How he could not have seen the two of us, I’ll never know.
Unfortunately for us, it was a big road, and I wasn’t budging. A few moments before impact the driver seemed to become aware of us and attempted to swerve out of the way and to the right towards Marie’s side of the road, though at that point she wasn’t even watching the car; her eyes transfixed on mine with a look of fear and frustration. Marie grabbed my hand and tried to pull me one more time. I wouldn't budge. The car swerved to the right and missed me by two or three inches, and Marie turned back to face the car, noticing it’s alignment with where she was standing. In the last moment, I turned and looked at Marie's face again; that look of fear. Below it though, I thought I almost noticed a sort of anger, a small resentment.
"Why'd you make me work for the water and not him?"
I squeezed her hand as the truck cleared me. It was ripped away from mine.

My mind struggled to process what had happened. I felt the black box still in my pocket and so I drew it out and opened it up. The diamond inside shone beautifully, tauntingly brilliant and a constant reminder of everything that would not be. I placed the open box on the dresser and forced myself to look up at her. 
Marie was in bad shape, with all kinds of tubes and an IV sticking out of her, and I felt a small tear forming around the corner of my left eye. 
I picked up her hand, but it was already going cold. Squeezing it once more, I dropped it, turned around and walked away. 

I couldn't bring myself to look back.

12:00 by Simon Van Heyst

lay low kingdom
endlessly pink,
heavy with
the silent charms of
human wreckage
and long burning

polaroid kisses

Yesterday by Olivia Mokryzcki

Pale eye or deep brown or red eye or no eye.
To see what we're supposed to see.
People were wandering, loving and dancing, singing, crying, holding each other, feeding each other,
Like individual Suns, heating the earth
Yesterday I noticed neon signs above their heads
So bright you'd see them before you knew who they were mounted upon
Yesterday people stopped sleeping
Body's would chat all night
On their stomachs with their shaky arms propping up their giant heads
Rolling eyes to the beat of chattering teeth overtop their heavy comments
And in the mornings new signs were placed on top of the old
Till kind bodies were weighed down by a foreign sticky spit of names

Yesterday mirrored surfaces were placed all over the city
For bodies to watch their bulging eyes and cheeks and spotted chins and pig noses. All things on bulky heads with shrivelled brains, unprofessional, unkept, old, young, unintelligent, irrelevant, inexperienced, unsuitable hulking heads on too thin and boney, wrinkly, stretchy or swollen and broad bodies. All things to compare and contrast in bathroom mirrors and even the backs of spoons at dinner tables.
Yesterday they all became the same.
With dragging sickness
Drugged, giving into an impractical image
Hoping to spark out their neon signs
Hoping to be the right body
To fit the wrong earth
I see bodies made to move in different skins
Fighting with themselves
Against their marks and guts

They’d love to be left alone
In tranquil space
To make their own
To each a face
To each a thought
A body

Wednesday 8 June 2016

Sparkling Blue
Emily Parker

I see the heavy iron bars that shut in this little girl—Does no one else?
Responsibilities trap her like the thick iron bars of a cell,
blocking all my light.
She waits patiently, following the guidance
Of her parents, her teachers, who tell her
This is what she must endure to be freed.
This is what to do, they tell her, to have the freedom
To pursue your dreams. Just like us. Yet they do not look free.
The girl sees an even thicker cage surrounding them.

(Little girl, do you really want this?)

The girl sits on a stack of textbooks
And counts the minutes as they pass.
How much longer will she have to stay in this prison?
How much more studying will she have to do until she is freed?
The grand piano looms like a silent shadow in the corner.
Now and then, papers fly up into the air
On a draft of wind leaking in from the barred window.

(Little girl, do you really want this?)

I long to give her paradise.
The girl moves to the window and peers outside.
For a few moments, my sunlight blinds her, but eventually she can see—
Sparkling blue lake, surrounded by vibrant green brush.
This is a place where stress cannot reach. Responsibility does not exist here.
For a while, the little girl believes she is there.
She feels my warm rays on her fair skin, inviting her to stay forever.
She hears forlorn cries of birds, like beautiful sorrowful music. She loves music.
This is where she wants to be, where she can escape the iron weight,
Where she can escape everything that seems to be her life now.

She doesn’t know how to continue. She is done being patient.
She should let her lungs breathe in the waters of the lake,
Feel herself gently drifting into its darkness.
Nothing could reach her.

(Little girl, would you really want this?)

The black water would surround her like a shell,
blocking vision, sound, paralyzing her senses.
I would not be able to reach her here.
Nor would she ever hear music,
Feel the deep passion she has for it,
Be with her family and friends, whom she loves so deeply,
See all the beauty that awaits her in the world.

(Little girl, do you really want this?)

This room, this precious room, holds all the things that make her happy.
And the iron bars hold up the walls.
Now the little girl dusts off the piano.
She touches the keys and remembers a beautiful melody.
She begins to play, and as she presses the ivory keys,
I shine in through the window and touch her face.
She travels to a place with
sparkling blue lake, surrounded by vibrant green brush,
A place where stress cannot reach.


A Sense of Direction
Sophie Currie

Life is but a series of roads
A maze of dead ends
And paths overgrown
People who search
For yellow brick stone
Skip skipping blindly
To make-believe homes

But who’s to say
There’s a way out
With no end in sight
It’s easy to doubt
A sense of direction
One must go without
Feeling the fractures
From where mosses sprout

Following footsteps
Like feet in the sand
But when the tides come
The road meets an end
On dark boulevards
Reflected light bends
Mistaking mirages
For shadows of friends

Maybe it is the mystery
That traps lonely hearts
And trips the carefree
But sooner or later
The fog leaves the streets
Life is not a destination
But a journey